Salve Regina — Heavenly Queen for mixed choir and chamber ensemble
Free the sound – Hail Queen, mother of mercy!
A kind of bright bubble of sound, extremely lively and dynamic, growing. That music was the first thing to come to me.
Then I started looking for a text. I searched and searched, but didn't find what I was looking for. Eventually, I started composing anyway, without words, allowing the flow of the music to guide me.
From there I suddenly heard: “Salve!”
Salve Regina, a traditional eleventh century Latin hymn to the Virgin Mary found me. It struck me as incredibly beautiful. I also thought it was unexpectedly relevant with its text about children in exile, the vale of tears, and a desire for someone, someone endlessly merciful and good, to pray for us all.
The first section is an invocation, a bright, harmonious trilling appeal.
The second section is a lament, surrounded by vast spaces. The instruments embrace the voices with sparse, dark tones.
The third and final section is a prayer. It rises up out of the depths and becomes an increasingly stronger cry:
Salve Regina- Heavenly Queen was composed for the Netherlands Chamber Choir and Nieuw Ensemble, and commissioned by The Eduard van Beinum Stichting.
Translated by Linda Schenck
Text: (lamenting) – Aya
Salve Regina, mater misericordiae: (Hymn to the Virgin Mary, probably from the eleventh century. Last two lines added by Karin Rehnqvist)
English translation: (Lamenting) – Aya
Hail Queen, Mother of mercy, Pray for us | ||
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Score sample: Salve Regina | ||||